jesus com a biblia orandoao ceu aberto e velas
Black poppies in moonlight, big full moon, A shadow shaped like a walker, Starry night, Thick fog on the ground, Blue light on the horizon, Unreal Engine 5, Cinematic, low angle photography, Motion blur, Depth of field, Dust, Cobblestones and dirt. Splash Art, dripping paint. Perfect color grading. Influenced by Karel Appel and Jeremy Mann, Full of dramatic and threatening scenes, Hyper-detailed, Beautiful, insanely details, Intricate details, editorial photography, shot with a 50mm lens, Depth of field, Tilt Blur, Shutter speed 1/1000, f/22. Lightmaps,
Sky, Clouds, holding_weapon, no_humans, Glow, Robots, Architecture, Science Fiction, Cities, Reality --v6
post-apocalyptic sunset at the end of the world of the new dawn aquarelle drawing
Arafed man sitting in the back of a car playing a guitar, carregando uma guitarra, Brasil, Neil Jovem, Leonardo Cohen, fotografia promocional, 1976, 1 9 7 6, Estreito de George, an album cover, Directed by: Ray Parker, hunter s thompson, O guitarrista, 1978, 1 9 7 8, 1972, cores vibrantes.Arafed man sitting in the back of a car playing a guitar, carregando uma guitarra, Neil Jovem, Leonardo Cohen, fotografia promocional, 1976, 1 9 7 6, Estreito de George, an album cover, Directed by: Ray Parker, hunter s thompson, O guitarrista, 1 9 7 2, 1 9 7 8, 1972
Establishing capture, well-loved vintage light blue bus, object focus, dented metal and enamel flank, soft pink orange sunset reflecting off windshield and chassis, traveling west, vast landscape, sense of movement and journey, hope and resilience, masterpiece, masterwork, meticulous, intimate, nuanced, highest quality, highest fidelity, highest resolution, highres, highest detail, hyper-detailed, detail enhancement, deeply detailed, uhd, hdr, fhd, 8k, 16k, 32k, 64k, caustics, subsurface scattering, High Dynamic Range, Dynamic Tone Mapping, [Specular reflection], [sub-pixel convolution], [oxidetech], [rusty steel]